I would like to touch back on an interesting point we discussed in class. It was noted that Fowles' overt usage of terms and examples from different literary theories (most notably feminist and psychoanalytic theory) are examples of his criticism of the use of theory. That isn't to say he is anti-intellectual, nor anti-theory for that matter. It says that he is calling into question how we apply theory.
Which leads me into another point. Does Fowles apply humor as a critical theory? I do not have the authority to say but I will note that in recent history humor has become the major form in which we understand much of the 'literature' that we consume. There is an overwhelming amount of negative or problematic topics that are covered through humor. A great example would be that of this past election. Instead of coming out and making certain claims about certain candidates (Ahem...Sarah Palin), each week people looked forward to their local paper and Saturday Night Live for a commentary on the social implications of candidates. I'll probably return to this point in the future because it intrigues me so.
In class there was also the argument about the decline in quality of theory and academia when accessibility, to a theory for example, is promoted through popular culture. The argument was raised in the case of Baudrillard's theories used in The Matrix. Though it represents some ideas from Baudrillard and even quotes from his work, the message is not the same.
(I'd also like to add that I think Fowles representation of the theories which he mimics/mocks in Mantissa also has to do with his frustration with the decline of creative understanding. People are wrapped up in trying to figure out what he is showing through the theories without acknowledging the nature of the creative writer. If that makes sense.)
That was brief and probably just served as a distraction...my apologies
As seen in previous posts, a note on the title: If you haven't seen The Rocky Horror Picture Show, I would advise that you do so.
8 years ago